Games Art and Design BA1a Character from the Edo Japan time period. Received 19th October
Week 5
Our next project is to create a concept for a character from a specific time period; mine being Edo Japan. We were also required to read 'The Tinderbox' and choose one of the characters to base ours on. I've gathered a collection of different styles and objects from this era, and am debating between doing a Samurai soldier, Lady of the Court, or a Witch. I'll begin silhouetting for these to help me decide which to pursue. I so far enjoy the armor Samurai wore, it is bulky and robust, and the Court Lady who wore long thick gowns, with delicate hairstyles and make up. There are folklore and myths in Japanese History that I could use if I pursue the witch character.
Our next project is to create a concept for a character from a specific time period; mine being Edo Japan. We were also required to read 'The Tinderbox' and choose one of the characters to base ours on. I've gathered a collection of different styles and objects from this era, and am debating between doing a Samurai soldier, Lady of the Court, or a Witch. I'll begin silhouetting for these to help me decide which to pursue. I so far enjoy the armor Samurai wore, it is bulky and robust, and the Court Lady who wore long thick gowns, with delicate hairstyles and make up. There are folklore and myths in Japanese History that I could use if I pursue the witch character.
https://s-media-cache-ak0.pinimg.com/236x/56/69/31/566931d9d5e59aac08ae74db4601cdff.jpg
http://www.iz2.or.jp/fukusyoku/kosode/images/112-a.gif
Namazu is a creature of Japanese mythology, and is known to be associated with floods and earthquakes, among other beliefs. Towards the end of the Edo period, in 1855, an earthquake struck and Namazu was seen to be punishing human greed, as to rebuild money was more evenly shared between the classes. It was then that people began to call the Namazu the Yonaoshi Daimyojin, which means 'the god of rectification'.
Namazu Reference: http://historyofgeology.fieldofscience.com/2011/01/namazu-earthshaker.html
Edo Clothing: http://hubpages.com/hub/History-of-Kimono-Part-4-The-Early-Modern-Period-Edo-Period#
I have chosen to pursue to witch, and base her on the Namazu. This means she needs to have catfish characteristic, which I shall explore when iterating, and take into consideration when choosing a final composition for my concept painting.
I began exploring the Samurai and Court Lady of this time, to help decide a design for the witch. She will wear a long kimono like a court lady, and have a wide obi, as this was a trend in the this time period.
I explored head silhouetting, kimono styles and character size briefly before iterating further into particular aspects. Her size should help portray her like a catfish.
Japanese women often had their hair up with nice detail and accessories. I chose a hairstyle I liked the most and thought would suit the character, and began iterating her face. She started of young, but this didn't suit her purpose. To be wise, she needed to be older, so I began studying older faces.
The next composition study was dynamic composition and analyzing how angles and lines impact the feel of an image.
Horizontal Lines - This suggests homeostatis/tranquility/rest. Examples are fallen trees and calm seas. In this photo there are many horizontal lines in the sky and sea, giving a peaceful feel alongside the warming colours.
https://upload.wikimedia.org/wikipedia/commons/5/58/Sunset_2007-1.jpg
Vertical Lines - These suggest stability/strength/power and can emphasize height/ distance/scale. In this photo you can see multiple building all varying in height, but all looking independent and stable. It also feels like a bold and powerful city.
https://jdnarchitecture.files.wordpress.com/2014/08/chicago-cityscape.jpg
Diagonal Lines - These suggest action/movement, such as in clothes and hair, waves and rain, and swords and guns. This painting by Dan Dos Santos has multiple composition types, not just his use of diagonal lines. The angle of the sword in the foreground suggests action, and its position and focus suggests it's importance. The whole painting is angles, the walls are no longer vertical, giving the room more energy for movement, which is also apparent by the creatures in the background.
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLr4tPmKXOs4J-0A8XGSG7892rOxYxcVXq_GeTqUhxYibxVZy__2k1n8cm-ETQCBQwCJ_mLb7wBJQWJkn6MkVkoWaXM8DSwDy6FLwE50xSLZp7bjQLCZsNoJWQUVoFbAruptMA4inCZps/s1600/dan_dos_santos_dresden_files_4.jpg
Jagged/Irregular Lines - These give the feeling of unease and tension. A good example is lightening. Often jagged lines can show destruction and damage. The lightning looks powerful and erratic, and contrasting to the darker mood of the rest of the painting. The jagged lines emphasize the feel of battle and tension between two forces.
http://www.wall321.com/thumbnails/detail/20130617/fantasy%20art%20battles%20artwork%20lightning_www.wall321.com_64.jpg
Curves - These show grace, elegance and beauty. Often used in character figures, facial features and hair. Light waves create curved lines, keeping the mood peaceful and showing the beauty of the environment. Van Gogh's 'Starry night' contains almost all curved brush strokes; as a result the sky looks beautiful and magical. The vertical but curved plant in the foreground doesn't disrupt the feel, but shows the distance of the sky.
http://uploads2.wikiart.org/images/vincent-van-gogh/the-starry-night-1889(1).jpg
Implied Lines - This is using the lines to direct the viewer to certain aspects of the painting. It can help lead the eye over the photo in a certain manner and emphasize focal points. In Dan Dos Santo's painting below is central with an implied line down the painting. The cat touches the sun rim slightly, enough to lead the eye down the painting to her necklace. Her neckline and sword all point down so the view continues to follow down and see the flowers fading.
http://www.this-is-cool.co.uk/wp-content/gallery/dan-dos-santos/dan-dos-santos-fantasy-art-image-gallery.jpg
http://7-themes.com/data_images/out/78/7037853-thor-lightning-art.jpg
http://www.timpratt.org/images/bone_shop_web.jpg










































